It was far from the first time this dynamic (not to mention the quiet power of Takeoff) had been presented within Migos’ already vast catalogue of material up to that point, but it was a scalable moment that proved that the act was still a viable commercial force, and in fact had not even reached their peak yet. Not only did it give the trio the biggest hit of their career, it posited Offset, who supplies the immensely quotable hook, lasting nearly as long as a verse, as a leading man just as capable as the more melodically-inclined Quavo. With Quavo being the most natural hook-writer of the three and beginning to turn in a number of memorable features, the question of whether or not a solo career was the best path ahead for the Atlanta rapper came into play - perhaps the concept of the “rap group” was not due for a reemergence after all? The blazing ascent of “Bad and Boujee” quickly put that theory to rest. As the trio failed to match the success of their string of early hits that began with the 2013 breakthrough “Versace,” fans began to diagnose the stall. After the release of their underperforming debut Yung Rich Nation in 2015, the group, made up of Quavo, Offset, and Takeoff, hit a slow patch. Is it 'for keeps?'īefore “Bad and Boujee” reintroduced Migos as rightful superstars, calls for a Quavo solo album had already begun. Migos' ever-widening catalogue gets 19 tracks deeper with the release of Quavo's solo debut.

Quavo workin me live mixtape